By closing the room, a more personal atmosphere is generated, in which the participants are asked to interact via a chat program.
The participants are in a chat program together with a moderator who is not graspable. The moderator starts a discussion and urges participation. At some point, the participants realize that the content they posted is censored, manipulated, and deleted. Therefore, it is no longer possible to know what the opposite is receiving or sending. In the final step, the entire computer is manipulated and overtaken. It was interesting to see that it only took a few minutes of interaction to trust in such systems. Therefore, the emotional reactions as soon as participants had the feeling of losing control were quite strong.

This performance was born out of a discourse on the „EU Copyright Directive“ (Directive on Copyright in the Digital Single Market). The movement stressed that they have deep concerns regarding freedom of speech, freedom of expression, and censorship. There was some concern that this new regulation would lead to the creation of so-called „upload filters“. These are filters that could censor or alter the content that users upload to the Internet, apps, or platforms. Christine Böhler, head of Cross-Disciplinary Strategies, described it as one of her favorite performances since the establishment of the program.